Now showing at Ritz Victoria Street,Burnham-on-Sea,Somerset TA8 1AN 01278 794123
- Andre Rieu's 10th Anniversary 2014 Maastricht Concert Encore Screening
- Dolphin Tale 2
- Love, Rosie
- Teenage Mutant Ninja Turtles
- The Book Of Life
Andre Rieu's 10th Anniversary 2014 Maastricht Concert Encore Screening 3 stars
Recorded live in the Vrijthof in Maastricht, one of the most romantic city squares in The Netherlands, this open-air concert marks the 10th anniversary of the annual summer evening spectacles hosted by Dutch violinist and conductor Andre Rieu. Nicknamed the King of Waltz, Rieu shares the stage with the 60-piece Johann Strauss Orchestra and he performs a varied and lively programme in the company of famous guest artists and soloists.
- GenreSoloist, Special
- CastAndre Rieu.
- Duration175 mins
- Official sitewww.cinemalive.com
- Release19/07/2014 (selected cinemas)
Recorded live in the Vrijthof in Maastricht, one of the most romantic city squares in The Netherlands, this open-air concert marks the 10th anniversary of the annual summer evening spectacles hosted by Dutch violinist and conductor Andre Rieu. Nicknamed the King of Waltz, Rieu shares the stage with the 60-piece Johann Strauss Orchestra and he performs a varied and lively programme in the company of famous guest artists and soloists. The music is complemented by light shows and spectacular fireworks to ensure the evening goes with a bang.
Showtimes (Click time to book tickets)
- Thursday 6th November 2014
Dolphin Tale 2 3 stars
Several years have passed since young Sawyer Nelson rescued plucky dolphin Winter with the help of Dr Clay Haskett and Dr Cameron McCarthy. Elderly dolphin Panama dies and leaves Winter without a surrogate mother or pool mate. Under regulations, Winter cannot be housed alone and so the race begins to find another companion for Winter before Clearwater is forced to give up its beloved dolphin to another aquarium.
- GenreDrama, Family, Family
- CastNathan Gamble, Morgan Freeman, Ashley Judd, Kris Kristofferson, Harry Connick Jr.
- DirectorCharles Martin Smith.
- WriterCharles Martin Smith.
- Duration107 mins
- Official sitewww.seewinter.com
Released in 2011, Dolphin Tale fictionalised the incredible true story of a bottlenose called Winter, who was snared in a crab trap in Florida and lost her tail. The plucky mammal was rushed to nearby Clearwater Marine Hospital where dedicated staff rehabilitated Winter by fitting her with a silicon and plastic tail similar to prosthetics worn by human amputees.
The dolphin's remarkable recovery and her subsequent celebrity have ensured a steady stream of visitors to Clearwater, where Winter now shares a tank with another bottlenose called Hope.
Filmmaker Charles Martin Smith, who captained the original film, clearly fell in love with Winter because he writes and directs this uplifting yet wholly unnecessary sequel. Young audiences will happily wade through pools of sugary sentiment in order to enjoy heart-warming scenes with the dolphins and a stranded sea turtle christened Mavis.
Parents, however, won't find a great deal to buoy their interest besides footage during the end credits of two real-life rescues that inspired Smith's flimsy script.
Several years have passed since Sawyer Nelson (Nathan Gamble) rescued plucky dolphin Winter with the help of Dr Clay Haskett (Harry Connick Jr) and prosthetics expert Dr Cameron McCarthy (Morgan Freeman).
The teenager now works at Clearwater Marine Aquarium (CMA) with Clay's spunky daughter Hazel (Cozi Zuehlsdorff), his grown-up cousin Kyle (Austin Stowell) and trainer Phoebe (Austin Highsmith). Families flock to CMA to see Winter, which delights aquarium owner Phillip J Hordern (Tom Nowicki), who hopes to expand the site.
Sadly, those plans are put on hold when Winter's companion, an elderly dolphin called Panama, dies and leaves the plucky bottlenose without a pool mate.
Under regulations, Winter cannot be housed alone and a visiting inspector (played by director Smith), tells Clay, "I'm giving you 30 days to correct the problem." The race begins to find another companion for Winter before Clearwater is forced to give up its beloved dolphin.
Meanwhile, Sawyer realises his feelings for Hazel run deeper than friendship and the lad considers leaving Winter for three months to participate in a prestigious marine biology programme aboard a tall ship.
Dolphin Tale 2 serves no dramatic purpose other than to reignite interest in CMA and its real-life star attraction. Gamble is a likable if somewhat bland protagonist and the nascent romance with Zuehlsdorff remains chaste.
Connick Jr flashes his dazzling pearly whites to distract our attention from the hoary dialogue while Freeman makes fleeting appearances as the crotchety prosthetics wizard, who tells one pre-pubescent member of CMA staff, "I've got jars of peanut butter older than you."
Given the product's short shelf life, his character may not survive for a third splash in the dolphin pool.
Fury 4 stars
Norman Ellison is a new recruit, who is assigned the role of driving an M4 Sherman tank called Fury under the command of Sergeant Don Collier. This battle-weary veteran began the war in Africa and moved to Europe, killing numerous Germans along the way in the name of freedom. Aided by the rest of his crew, Boyd Swan, Trini Garcia and Grady Travis, Collier gives Norman an initiation he will never forget.
- GenreAction, Drama, Historical/Period, War
- CastLogan Lerman, Shia LaBeouf, Brad Pitt, Jon Bernthal, Michael Pena.
- DirectorDavid Ayer.
- WriterDavid Ayer.
- Duration134 mins
- Official sitewww.facebook.com/OfficialFuryMovie
At a critical juncture in David Ayer's wartime thriller, Brad Pitt's grizzled tank commander turns to an inexperienced new recruit and sounds the death knell on morality and diplomacy in a time of conflict. "Ideals are peaceful, history's violent," he growls with an icy glare.
Those words resonate throughout Fury, a brutal, mud-spattered tour of duty during the final weeks of the Second World War, as seen through the gun sights of an M4 Sherman tank crew on a collision course with Hitler's troops.
The film opens with Pitt's inspirational leader stabbing an unsuspecting German officer in the eye and Ayer repeatedly sates a thirst for close-up gore with expertly choreographed battle sequences and hand-to-hand combat between ground troops. The bloodbath temporarily abates for brotherly banter inside the claustrophobic tank, but the air is always chokingly thick with impending doom.
Eight weeks after he enrolls in the US Army as a clerk typist, Norman Ellison (Logan Lerman) is assigned the position of assistant driver in a tank christened Fury under the command of Sergeant Don 'Wardaddy' Collier (Brad Pitt). This battle-weary veteran began the war in Africa and moved to Europe, killing numerous Germans along the way in the name of freedom.
Aided by the rest of his crew, Boyd Swan (Shia LaBeouf), Trini Garcia (Michael Pena) and Grady Travis (Jon Bernthal), Collier gives Norman an initiation he will never forget on a series of missions led by Captain Waggoner (Jason Isaacs) and Lieutenant Parker (Xavier Samuel).
Three other tanks commanded by Sergeant Binkowski (Jim Parrack), Sergeant Davis (Brad William Henke) and Sergeant Peterson (Kevin Vance) flank Fury as US soldiers push on towards Berlin. "It will end soon," Collier assures Norman, "but before it does, a lot more people gotta die."
Fury paints a familiar picture of the hell of war, directed with testosterone-fuelled swagger by Ayer, who previously helmed the bombastic police thrillers End Of Day and Sabotage. His script is studded with polished dialogue that doesn't quite ring true, like when Collier berates thuggish Grady, "You're an animal. All you understand is fist and boot".
Or when Collier encourages Norman to sow his seeds with a pretty young German (Alicia von Rittberg) by purring, "She's a good clean girl. If you don't take her into that bedroom, I will".
Pitt leads the cast with a strong performance as a battle-weary commander, who holds back a tide of anguish and uncertainty until he is alone and can allow the sobs to shake his scarred body. Lerman is equally compelling as a naive whelp, who develops a taste for killing Nazis.
Ayer obliges him with an astronomical body count and foreign fields slathered as far as the eye can see in mud, freshly spilt blood and the bodies of the fallen.
Horns 4 stars
Ig Perrish is accused of the rape and violent murder of his beloved girlfriend, Merrin Williams, but he vociferously pleads his innocence. After a night of excessive booze, Ig regains consciousness with a raging hangover and discovers that he has a pair of horns growing out of his head. Even more bizarre, these horns possess the power to make people confess their sins. Ig uses his newfound abilities to discover the circumstances of Merrin's death and unmask the murderer.
- GenreAdaptation, Horror, Romance, Thriller
- CastDavid Morse, Daniel Radcliffe, Heather Graham, Juno Temple.
- DirectorAlexandre Aja.
- WriterKeith Bunin.
- Duration120 mins
- Official site
Something wicked this way comes as Harry Potter heartthrob Daniel Radcliffe becomes a horny little devil in Alexandre Aja's quirky supernatural thriller. Lord Voldemort would be proud of his transformation into a vengeful, flame-spewing demon, whose presence compels the damned to succumb to their most primal impulses.
Lusty work colleagues throw off the shackles of politeness and engage in frenetic sex; an exhausted mother fantasises about inflicting physical violence on a screaming child; a recovering drug addict hungrily snorts an entire stash of narcotics - destined for the oblivion of an overdose.
Aja, director of The Hills Have Eyes and Piranha 3D, remains rooted in the horror genre with Horns but there's more soul-searching than gratuitous gore in this serpentine whodunit about a young man who is suspected of murdering his girlfriend in a jealous rage.
Ig Perrish (Radcliffe) only has eyes for neighbour Merrin Williams (Juno Temple). Their romance blossoms in childhood when they play together as part of a gang with Ig's older brother Terry (Joe Anderson) and good friend Lee (Max Minghella).
On the day that Ig is poised to go down on bended knee, Merrin orchestrates a very public break-up in a diner. The following morning, police discover Merrin's lifeless body below her favourite treehouse in the forest and a drunken and dishevelled Ig in his car with no memory of the night before.
A voracious media scrum descends and Merrin's father Dale (David Morse) makes clear that he believes Ig is the killer. "As long as he is free, there is no way her soul can be laid to rest," rages the father.
After a night of excessive booze - a pitiful attempt to salve his grief - Ig regains consciousness with a raging hangover and discovers that he has a pair of horns growing out of his head.
The devilish outcrops compel locals to confess their sins and Ig realises he can exploit his new-found powers of persuasion to uncover the circumstances of Merrin's death and unmask a murderer.
Horns is blessed with one of Radcliffe's best screen performances. Sporting an impeccable American accent, he teases out his character's maelstrom of emotions, laced with mordant wit like when Ig survives a vicious beating and quips, "One thing I'll say in my favour, I'm hard to kill!"
Anderson and Minghella offer strong performances, while Temple casts a dreamy glow as the flame-haired free spirit, who drives men to madness. Black humour walks hand in hand with brutality as Ig's haphazard investigation twists and turns.
The blood-spattered and bone-crunching denouement can't resist a flourish of digital effects to unleash hell, literally, on earth. But for the most part, director Aja shows admirable restraint, revelling in the depravity and dark desires of a close-knit community, which assumes people are guilty until proven innocent.
Love, Rosie 2 stars
Rosie Dunne and Alex Stewart have been best friends since they were children: completely at ease in each other's company. They are perfect for each other but afraid to reveal their true feelings. This seemingly unbreakable bond shatters when Alex moves to Boston to attend university, leaving behind Rosie in familiar surroundings in Dublin.
- GenreComedy, Romance
- CastJaime Winstone, Tamsin Egerton, Lily Collins, Art Parkinson, Christian Cooke, Sam Claflin.
- DirectorChristian Ditter.
- WriterJuliette Towhidi.
- Duration102 mins
- Official sitewww.facebook.com/LoveRosieFilmUK
The course of true love never did run smooth and it follows an infuriatingly long-winded route in Love, Rosie. Based on Cecelia Ahern's 2004 novel Where Rainbows End, Christian Ditter's exasperating comedy of errors concerns two attractive, intelligent and good-humoured best friends, who waste some of the best years of their lives ignoring how ideally suited they are.
Instead, the perfectly aligned protagonists pursue unfulfilling relationships with other people or embrace solitude rather than taking a tiny leap of faith from friendship to something deeper. The film is built on traditional rom-com foundations, flinging obstacles in the path of the best friends to explain why we have to sit through 12 years of their dithering before the inevitable moment of surrender.
Juliette Towhidi's script surfs a wave of silliness and falls over in pivotal scenes including an argument, which culminates with the eponymous heroine caterwauling, "Can you stop the psychobabble and can we talk like English people?" On this evidence, no they can't.
Rosie Dunne (Lily Collins) and Alex Stewart (Sam Claflin) live across the road from each other and have been best friends since they were five-years-old. On her 18th birthday, a delirious and drunken Rosie shares a smouldering kiss with Alex but forgets about the smooch thanks to a bump to the head.
He doesn't forget and jokingly skirts the issue of romance, which Rosie shoots down by quipping, "You will forever by the guy who wiped bogies on my party dress." Their unseemingly unbreakable bond shatters when Alex moves to Boston to attend university, leaving behind Rosie with her parents Dennis (Lorcan Cranitch) and Alice (Ger Ryan) in Dublin.
The pals follow divergent paths. Rosie turns to sassy best friend Ruby (Jaime Winstone) to buoy her spirits and an old school crush called Greg (Christian Cooke) with impressive abs provides a passable substitute for her soul mate.
Meanwhile, Alex succumbs to the aggressive overtures of supermodel Bethany Williams (Suki Waterhouse) and social climber Sally (Tamsin Egerton).
Love, Rosie will test the patience of the most hopeless romantic. Collins and Claflin age over the course of the film from nervous 18-years-olds to jaded thirty-somethings simply by changing their hairstyles.
Our incredulity reaches its peak when a resplendent 25-year-old Collins stands next to talented 13-year-old actress Lily Laight and we're asked to believe they are single mother and daughter. Of the supporting cast, only Winstone registers, having a ball as a straight-talking confidante, whose dyed hair is as colourful as her language.
If it was possible to develop a 5D cinema experience that allows audiences to physically reach into the big screen and slap characters, we would have battered and bruised the two leads senseless within the opening 15 minutes.
Teenage Mutant Ninja Turtles 3 stars
Genetically modified turtle brothers Leonardo, Raphael, Michelangelo and Donatello grow up in the sewers of New York under the guidance of their mentor: a giant rat called Splinter, who teaches them Ninjitsu. Aided by plucky journalist April O'Neil and her cameraman Vern Fenwick, the turtles wage war on a shadowy figure called Shredder and his army, known as the Foot Clan, who are spreading fear and terror throughout the Big Apple.
- GenreAction, Adaptation, Adventure, Comedy, Family, Fantasy, Romance
- CastWill Arnett, Megan Fox, William Fichtner, Tohoru Masamune, Whoopi Goldberg.
- DirectorJonathan Liebesman.
- WriterAndre Nemec, Josh Appelbaum, Evan Daugherty.
- Duration101 mins
- Official sitewww.ninjaturtlesmovie.co.uk
- Release11/10/2014 (Scotland); 17/10/2014 (UK & Ireland)
The adventures of turtle brothers Donatello, Leonardo, Michelangelo and Raphael began life in the mid 1980s as an irreverent comic book and rapidly spawned an animated TV series, a trilogy of films and a dizzying array of merchandise. Turtle power has endured to the present day, including a computer-animated series on Nickelodeon.
It's no surprise then that Jonathan Liebesman, director of Wrath Of The Titans, has resurrected the heroes in a half shell for the big screen. Teenage Mutant Ninja Turtles is an outlandish, action-heavy romp that remains faithful to earlier incarnations, condensing the characters' back-story into a snazzy comic book-style opening sequence.
Die-hard fans will enjoy the heavy whiff of nostalgia, but if Liebesman was hoping to indoctrinate a new generation, he has cowabungled it. His film is incredibly violent, albeit bloodless, reducing two very young boys in my screening to distressed screams.
The lack of spilt blood is preposterous, especially when the turtles face chief villain Shredder, who sports armour festooned with blades. Razor sharp projectiles scythe through the air but miraculously don't nick flesh. Shredder by name but not by nefarious nature.
Leonardo (Pete Ploszek, voiced by Johnny Knoxville), Raphael (Alan Ritchson), Michelangelo (Noel Fisher) and Donatello (Jeremy Howard) grow up in the sewers of New York City. They flourish under rat mentor Splinter (Danny Woodburn, voiced by Tony Shalhoub), who teaches Ninjitsu to his surrogate sons.
During one of the turtles' sorties above ground, Channel 6 news reporter April O'Neil (Megan Fox) glimpses the crime-fighters, who are preparing for war with hulking terrorist Shredder (Tohoru Masamune) and his army, the Foot Clan.
Leonardo, Raphael, Michelangelo and Donatello fear exposure so they track down April and spirit her to their subterranean lair. "It's our Fortress Of Solitude, our Hogwarts, our Xavier's Academy," whispers Donatello, piling on the pop culture references.
Once April learns of the turtles' noble quest to destroy Shredder, she pledges her allegiance and ropes in wisecracking cameraman, Vern (Will Arnett), and prominent businessman Eric Sacks (William Fichtner), who has publicly declared war on the Foot Clan in a televised speech.
Teenage Mutant Ninja Turtles updates the characters for the modern era. Thus Mikey has a penchant for cat videos on the internet and the three scriptwriters shoe-horn verbal references to films and TV shows with abandon: "Maybe she's a Jedi," whispers Mikey after April reveals she knows Splinter's name without an introduction.
The turtles are rendered through motion-capture performances and look rather creepy, but they somersault to perfection in action set pieces including a tumble down a snow-laden mountainside.
Alas, the hefty budget hasn't stretched to remedying basic continuity errors like when Fox's plastic heroine emerges from a downpour with dry, flowing hair. Believe that and you'll lap up this bland turtle soup.
The Book Of Life 3 stars
In the town of San Angel on the Day Of The Dead, underworld gods La Muerte and Xibalba bet on the outcome of a love triangle involving friends Manolo, Joaquin and Maria. La Muerte, ruler of the Land of the Remembered, believes that sensitive Manolo will get the girl while Xibalba, ruler of the Land of the Forgotten, selects courageous Joaquin as his champion and secretly boosts the young man's chances with an enchanted medal of protection.
- GenreAdventure, Animation/Cartoon, Comedy, Family, Family, Romance
- CastRon Perlman, Zoe Saldana, Channing Tatum, Kate del Castillo, Diego Luna, Ice Cube.
- DirectorJorge R Gutierrez.
- WriterJorge R Gutierrez, Douglas Langdale.
- Duration95 mins
- Official sitewww.bookoflifemovie.co.uk
In Mexican culture, Dia de los Muertos or Day Of The Dead is an important annual gathering for families and friends to honour the memory of loved ones who are no longer with them. The three-day celebration, which begins on October 31, traditionally involves adorning graves and specially constructed altars with sugar skulls, flowers and other gifts with special significance to the departed.
This fiesta of remembrance provides a vibrant and poignant backdrop to Jorge R Gutierrez's fantastical computer-animated fable about three friends, who discover there is love after death.
The Book Of Life razzle dazzles our eyes, especially in 3D, cramming as much retina-searing colour and detail as possible into each frame. Co-writer Douglas Lansdale adds plentiful humour to offset the film's air of tragedy including a chorus of singing nuns and a waspish grandmother, voiced by Grey DeLisle, who scene-steals with every purse-lipped outburst.
Museum tour guide Mary Beth (voiced by Christina Applegate) leads a group of unruly schoolchildren through an exhibition about Mexican folklore. She leads the whippersnappers to a chamber that houses the fabled Book Of Life and recounts one particular story, which unfolds in the town of San Angel on the Day Of The Dead.
Rival gods La Muerte (Kate del Castillo) and Xibalba (Ron Perlman) agree a wager on the resolution of a love triangle involving two boys, Manolo (Diego Luna) and Joaquin (Channing Tatum), who are both in love with their friend Maria (Zoe Saldana).
La Muerte, ruler of the Land of the Remembered, believes that sensitive Manolo will get the girl and realise his musical ambitions rather than take up the mantle of his matador father (Hector Elizondo). "Music is not a profession fit for a Sanchez bullfighter!" rages the old man.
Meanwhile, Xibalba (Ron Perlman), ruler of the Land of the Forgotten, selects courageous Joaquin as his champion and secretly boosts the young man's chances with an enchanted medal of protection.
When the time finally comes for Maria to choose between her suitors, conniving Xibalba attempts to influence her decision to ensure he wins the bet.
The Book Of Life inhabits a macabre universe that Tim Burton has made his own but director Gutierrez and his team of animators opt for a more jaunty, upbeat tone enhanced by a bouncy soundtrack replete with cover versions of Elvis Presley, Radiohead and Rod Stewart. "What is it with Mexicans and death?" asks a goth kid on the museum tour, somewhat tongue in cheek.
Luna and Tatum deliver lively vocal performances and Saldana essays a spunky heroine, who epitomises girl power, flanked by a cute porcine sidekick. Action sequences are orchestrated at a brisk pace, punctuated by soaring serenades.
Gutierrez's film strikes a pleasing balance between giggles and soul-searching, tackling tricky themes of mortality, self-sacrifice and the afterlife without giving young audiences nightmares.