Now showing at Ritz Victoria Street,Burnham-on-Sea,Somerset TA8 1AN 01278 794123
- Big Hero 6
- Into The Woods
- Kingsman: The Secret Service
- Taken 3
- Testament Of Youth
Big Hero 6 4 stars
Fourteen-year-old Hiro Hamada idolises his older brother Tadashi, who is one of the star pupils of Professor Robert Callaghan, head of the robotics program at San Fransokyo University. A fire at the university ends in tragedy and poor Hiro is consumed with grief until his brother's greatest creation, a self-inflating personal healthcare robot called Baymax, helps the teenager to come to terms with his loss.
- GenreAction, Adaptation, Animation/Cartoon, Comedy, Family, Family, Science Fiction
- CastRyan Potter, Scott Adsit, Jamie Chung, TJ Miller, Daniel Henney, James Cromwell, Genesis Rodriguez, Damon Wayans Jr.
- DirectorDon Hall, Chris Williams.
- WriterRobert L Baird, Daniel Gerson, Jordan Roberts.
- Duration114 mins
- Official sitemovies.disney.com/big-hero-6/
Never underestimate the soothing power of a hug. With one simple squish, you can provide comfort, encouragement or a simple how-do-you-do that transcends a thousand well-chosen words. Big Hero 6 is the cinematic equivalent of a warm hug, embracing the old-fashioned family values of the Walt Disney brand alongside cutting-edge computer technology that audiences now expect to dazzle their senses.
Directors Don Hall and Chris Williams marry dizzying action sequences that look even more spectacular in 3D to an emotionally rich story of a lonely boy's unshakable bond with his self-inflating robot protector, recalling the magical 1999 animated feature The Iron Giant.
The inquisitive automaton Baymax is the stuff that sweet celluloid dreams are made of: tender, loving and unwittingly hilarious. Every child will want their own marshmallow man to snuggle at night and keep them safe from the harsh realities of modern life that weigh heavily on the film's grief-stricken adolescent hero.
"I see no evidence of physical injury," informs the robot as he scans the boy's body.
"It's a different kind of hurt," laments the teenager.
Fourteen-year-old Hiro Hamada (voiced by Ryan Potter) idolises his older brother Tadashi (Daniel Henney), who is a star pupil of Professor Robert Callaghan (James Cromwell), head of the robotics program at San Fransokyo University.
A fire on campus culminates in tragedy and shell-shocked Hiro is inconsolable until his brother's greatest creation, a personal healthcare robot called Baymax (Scott Adsit), helps the teenager to confront his loss. As the boy discovers Baymax's functionality, he also stumbles upon a secret: the fire might not have been an accident.
Indeed, a greedy entrepreneur called Alistair Krei (Alan Tudyk) might have started the blaze. Aided by Tadashi's loyal friends GoGo (Jamie Chung), Wasabi (Damon Wayans Jr), Honey Lemon (Genesis Rodriguez) and Fred (TJ Miller) plus an upgraded Baymax, Hiro resolves to discover the truth about the deadly inferno.
Based on an obscure title from the Marvel Comics universe, Big Hero 6 is a rip-roaring opening salvo in a potential new franchise. Directors Hall and Williams orchestrate the requisite thrilling set pieces with brio, including an unconventional dash through the undulating streets of San Fransokyo that knowingly flouts traffic laws.
"There are no red lights in a car chase!" squeals GoGo. The animators and script never lose sight of the central relationship of Hiro and Baymax, sketching that bond in exquisitely deft strokes. Grown men will be choking back tears.
Big Hero 6 is preceded by Patrick Osborne's Oscar nominated short Feast, which charts the relationship between a Boston terrier and his master from puppyhood to middle age in a series of vignettes. It's a pick of the animated litter that leaves an indelible mark on the heart, just like Hall's and Williams' turbo-charged main feature.
Into The Woods 4 stars
The Baker and his wife yearn for a child but cannot conceive. The Witch, who lives next door, promises the couple their heart's desire if they bring her four objects before the next blue moon: a cow as white as milk, a cape as red as blood, hair as yellow as corn, and a slipper as pure as gold. As the fated hour approaches, the Baker and his wife resort to increasingly desperate measures to source the objects.
- GenreAdaptation, Comedy, Drama, Family, Family, Fantasy, Musical, Romance
- CastChris Pine, Anna Kendrick, Meryl Streep, Mackenzie Mauzy, Billy Magnussen, Emily Blunt, James Corden, Daniel Huttlestone, Tracey Ullman, Johnny Depp, Lilla Crawford.
- DirectorRob Marshall.
- WriterStephen Sondheim, James Lapine.
- Duration125 mins
- Official sitewww.movies.disney.com/into-the-woods
Traditionally in fairytales, the bedraggled heroine wins her dashing prince, evil stepmothers get their comeuppance and abducted children escape the clutches of a witch by pushing the treacherous hag into her oven. Nothing epitomises Happily Ever After like the heady aroma of roasting human flesh.
Into The Woods keeps turning the pages on these archetypal characters, imagining what might happen as they come to terms with their actions and - in most cases - suffer the repercussions.
Light comedy and heartrending tragedy skip hand in hand in James Lapine's screenplay and Stephen Sondheim's music and lyrics, which are ambrosia for director Rob Marshall, who propelled the 2002 film version of Chicago to Oscar glory.
This has nearly as much razzle dazzle including gorgeous costumes, picturesque sets and digitally enhanced magical effects. Thankfully, Marshall tones down the swirling camerawork and snappy editing here, adopting a gentler rhythm, which is less exhausting on our eyes over two hours.
The Baker (James Corden) and his wife (Emily Blunt) yearn for a child but cannot conceive. The Witch (Meryl Streep) next door promises the couple a family if they bring her four objects before the blue moon: a cow as white as milk, a cape as red as blood, hair as yellow as corn, and a slipper as pure as gold.
The Baker and his wife head into the woods with six magic beans and encounter 12-year-old Jack (Daniel Huttlestone), who is off to market to sell his cow Milky White, Cinderella (Anna Kendrick), who is fleeing from a ball thrown by a charming Prince (Chris Pine), Little Red Riding Hood (Lilla Crawford), who intends to visit her Granny (Annette Crosbie) but would make a tasty snack for the lascivious Wolf (Johnny Depp), and Rapunzel (Mackenzie Mauzy), who is consigned to a tower which can only be accessed by lowering her flaxen hair to a smitten lover (Billy Magnusson).
As the fated hour approaches, the childless couple resorts to desperate measures to collect the objects for the Witch.
Into The Woods establishes its mood with a dazzling overture, "I Wish", elegantly introducing the characters before their fates intersect. Streep is typically spellbinding. Her voice soars and our hearts break in her solo to motherhood, "Stay With Me".
Corden and Blunt add to the film's emotional heft while Pine and Magnusson are hysterical as regal brothers in their chest-beating, thigh-slapping duet "Agony" atop a cascading waterfall. With such a large cast to juggle, the script occasionally feels disjointed and some gear changes from broad pantomime to heartbreaking grief are jarring.
But Marshall doesn't shy away from delivering bitter pills in the final act courtesy of a marauding giant (Frances de la Tour). Everything has a price, especially your heart's desire, so be careful what you wish for.
Kingsman: The Secret Service 3 stars
Gary Unwin, who is known to his friends as Eggsy, is on the downward spiral to drugs and crime. He is dismissed as a hopeless cause by everyone except agent Harry Hart, who believes Eggsy would make an excellent crime-fighting operative. So Hart takes Eggsy under his wing and enrols the young man in a gruelling training programme against more eloquent and refined peers.
- GenreAction, Adventure, Comedy
- CastColin Firth, Taron Egerton, Michael Caine, Mark Strong, Jack Davenport, Samuel L Jackson, Tom Prior, Mark Hamill.
- DirectorMatthew Vaughn.
- WriterMatthew Vaughn, Jane Goldman.
- Duration129 mins
- Official sitewww.kingsmanmovie.com
Directed at full pelt by Matthew Vaughn, Kingsman: The Secret Service is an outrageous James Bond-esque caper with an unpleasant and sadistic streak. This hare-brained tale about a secret organisation of impeccably tailored British agents dedicated to world peace lampoons the conventions of the spy genre with an arched eyebrow.
"Nowadays, they're all a little serious for my taste," opines Colin Firth's lead operative about modern-day spy films, one of several self-referential winks in Vaughn and Jane Goldman's script. "Give me a far-fetched plot any day," he quips, and that's just what Kingsman delivers in spades.
Unfortunately, the film also serves up a blitzkrieg of gratuitous on-screen barbarity. The violence doesn't support the plot, the plot is constructed to support as much wanton carnage as Vaughn can cram into each frame.
This stomach-churning slaughter reaches a nauseating crescendo in a Southern church where Firth's good guy squares off against a congregation of brain-washed bigots, racists and homophobes, who apparently deserve to die in lurid close-up while Lynyrd Skynyrd's Free Bird strums on the soundtrack. The film was cut by UK censors to secure a 15 certificate but I wouldn't want my nephews, if they were 15 or 16, anywhere near Vaughn's giddy bloodbath.
Gary Unwin (Taron Egerton), who is known to friends as Eggsy, is on a downward spiral despite an impressive IQ. He is powerless to stop his mother Michelle (Samantha Womack) suffering abuse from her boyfriend (Geoff Bell), and a spot of joy-riding leads to a brief stay in a police cell.
Eggsy is dismissed as a hopeless cause by everyone except dapper secret agent Harry Hart (Colin Firth), who believes the young man has untapped potential as a crime-fighter. So Hart enrols Eggsy in a gruelling training programme against sneering posh lads Charlie (Edward Holcroft), Barnaby (Matthew William Jones) and Hugo (Tom Prior), and friendlier rivals Grace (Sophie Cookson) and Roxy (Alisha Heng).
The recruits test their strength and guile in a series of challenges devised by gadget geek Merlin (Mark Strong). Against the odds, Eggsy shines brighter than some of the supposed creme de la creme and when technological wizard Valentine (Samuel L Jackson) and his blade runner henchwoman Gazelle (Sofia Boutella) threaten mankind with a radical solution to climate change, Eggsy puts his training to good use alongside his stiff upper-lipped mentor.
Kingsman: The Secret Service leaves an exceedingly nasty taste in the mouth that is difficult to shake, garnished with crude sexism in the closing frames. Firth is a debonair action hero, contrasting sharply with Egerton's bad boy from the wrong side of the tracks.
Jackson has fun with his lisping megalomaniac, who gags at the sight of blood. If we did the same watching Vaughn's undeniably stylish film, we'd all need urgent medical assistance inside the first 20 minutes.
Paddington 4 stars
A young Peruvian bear with a passion for the British heads to London in search of a new home. At Paddington train station, he meets a boy called Jonathan Brown and his parents, who offer the lovable creature, christened Paddington, a temporary haven. At large in a strange city, Paddington wreaks havoc in the Brown household. Then an evil museum taxidermist named Millicent glimpses the wondrous bear and realises that he would make the most perfect addition to her collection.
- GenreAdaptation, Comedy, Drama, Family, Family
- CastHugh Bonneville, Sally Hawkins, Julie Walters, Michael Gambon, Ben Whishaw, Nicole Kidman, Imelda Staunton.
- DirectorPaul King.
- WriterPaul King.
- Duration95 mins
- Official sitewww.paddington.com
More than 50 years after he first appeared in print, author Michael Bond's beloved bear Paddington has finally arrived on the big screen in his first star-packed family adventure. Upcoming director Paul King's film lovingly weaves the traditional tenets of the duffel-coat wearing bear's story into a modern narrative.
Like the books, the film starts in deepest, darkest Peru, where a well-mannered three-foot bear (voiced by Ben Whishaw) lives with his elderly Aunt Lucy (Imelda Staunton) and Uncle Pastuzo (Michael Gambon). In their youth, Lucy and Pastuzo were visited by a kindly English explorer who left his red hat with his furry friends.
When their home is threatened, Aunt Lucy packs her nephew off to the safety of London to track down the explorer, who has promised that there will always be a home for them in the capital.
Of course, after sailing the oceans in a boat filled with supplies of his treasured marmalade, the bear finds London isn't actually that friendly. In fact it's pretty miserable what with the drizzly weather and glum commuters pushing and shoving their way out of Paddington station and ignoring his pleas for a home.
"Sorry, we haven't got time for this," cries worrywart Mr Brown (Hugh Bonneville), while his moody daughter Judy (Madeleine Harris) exclaims she's "embarrassed" to be near the small grisly, who has a 'Please look after this bear' sign around his neck.
Luckily, warm-hearted Mrs Brown (Sally Hawkins) and son Jonathan (Samuel Joslin) vow to take the furry chap home for the night. Naming him Paddington after the station where they found him, the Browns introduce their guest to kindly housekeeper Mrs Bird (Julie Walters).
But disaster soon strikes when Paddington tries to freshen up in the bathroom, resulting in a flood, two earwax-stained toothbrushes and a sharp telling off. Determined to find the explorer, Mrs Brown takes Paddington to see her friend Mr Gruber (Jim Broadbent), an antiques dealer who might have clues to his existence.
In doing so, they attract the attention of cranky curtain twitcher Mr Curry (Peter Capaldi) and a slimy associate of villainous taxidermist Millicent (Nicole Kidman) who is hell-bent on "stuffing that bear". With Millicent determined to get her mitts on Paddington to display him in the Natural History Museum, the Browns find themselves on a humdinger of a cat and mouse chase to try and keep their furry friend safe.
As comforting and sweet as Paddington's beloved marmalade, King's delightful adaptation has heaps of heart and enough humour and carefully plotted cameos to ensure everyone more than grins and bears his adaptation.
Taken 3 3 stars
Ex-government operative Bryan Mills has put the past behind him and is looking forward to an overdue reconciliation with ex-wife Lenore and daughter Kim. Their happiness is cut short when Lenore is brutally murdered and Bryan is framed for the heinous crime. Determined to clear his name and unmask the real culprit, Bryan goes on the run with the CIA, FBI and police led by Franck Dotzler in hot pursuit.
- GenreAction, Thriller
- CastFamke Janssen, Liam Neeson, Maggie Grace, Forest Whitaker, Leland Orser, Dougray Scott, Sam Spruell.
- DirectorOlivier Megaton.
- WriterLuc Besson, Robert Mark Kamen.
- Duration109 mins
- Official sitewww.taken3movie.com
History repeats with predictably calamitous consequences in Olivier Megaton's high-octane thriller Taken 3. In previous films, former Special Forces operative Bryan Mills (Liam Neeson) single-handedly brought down an Albanian human trafficking ring and its underworld offshoots. He left devastation and an impressive double-digit body count in his wake.
Surely, the east European criminal fraternity would have learnt that Mills and his family are off-limits. Alas, the Russians haven't received that memo because they foolishly try their luck against the hulking avenger in this frenetically edited instalment.
Scriptwriters Luc Besson and Robert Mark Kamen attempt to convince us that the third film is different from its predecessors by engineering a murderous twist that transforms good guy Bryan from righteous hunter into wanted fugitive. However, once the turbo-charged car chases and bruising fisticuffs begin in earnest, Taken 3 eases back into a familiar bloodthirsty groove.
As the film opens, Bryan is playing doting father to his grown-up daughter Kim (Maggie Grace), who is settling down with her boyfriend (Jonny Weston). Ex-wife Lenore (Famke Janssen) continues to question her marriage to second husband, Stuart St John (Dougray Scott), and Bryan gives her a key to his flat if she needs to get away.
Soon after, Bryan returns home to find Lenore in his bed with her throat slit. He's the prime suspect and manages to escape local police so that he can call Kim and deliver the bad news about her mother.
"Someone murdered her in my apartment. It looks like I did it," Bryan confesses. Determined to clear his name and unmask the real culprit - tattooed kingpin Oleg Malankov (Sam Spruell) - Bryan goes on the run from the CIA, FBI and police led by Detective Franck Dotzler (Forest Whitaker).
"This is going to end badly for you," yelps one officer during a chase.
"Don't be such a pessimist," deadpans Bryan, who risks everything to exact his bone-crunching brand of justice with the help of retired CIA pals Sam (Leland Orser), Bernie (David Warshofsky) and Casey (John Gries).
Taken 3 delivers a cacophonous conclusion to the franchise that has reinvented Neeson as a big screen action star. Megaton orchestrates the set pieces with brio, sacrificing plausibility at the altar of increasingly outlandish thrills and spills.
Whitaker lends gravitas to his underwritten role as the canny cop, who begins to doubt Bryan's guilt, while Neeson barks his perfunctory dialogue with aplomb. "How did I escape?" he growls at one juncture, cueing a cheeky flashback that explains his miraculous survival of a flaming car wreck.
The leading man's ability to evade certain death becomes a delicious and unintentional running joke. On this evidence, nothing short of a direct hit from a nuclear warhead could stop him. Taken 4 A Ride is surely just a matter of time.
Testament Of Youth 3 stars
Vera Brittain heads to Oxford University to study under waspish Miss Lorimer while her brother Edward and his good friends Roland and Victor enlist to serve their country. Against the advice of her parents, Vera decides to postpone her higher education to volunteer as a nurse and treat soldiers like her brother, who have been physically and emotionally scarred by their experiences on the front.
- GenreAdaptation, Biography, Drama, Historical/Period, Romance, War
- CastHayley Atwell, Kit Harington, Alicia Vikander, Emily Watson, Dominic West, Taron Egerton, Colin Morgan.
- DirectorJames Kent.
- WriterJuliette Towhidi.
- Duration130 mins
- Official site
Published in 1933, Testament Of Youth was the first instalment of memoirs by feminist writer and pacifist Vera Mary Brittain covering the years 1900-1925. In those pages, Brittain relived her harrowing personal experiences of the First World War in the wider context of the shifting political landscape, and gave a voice to other women, who had watched loved ones head off to fight and never return.
In 1979, the BBC produced a six-part mini-series based on the book, casting a fresh-faced Cheryl Campbell as the fiercely independent heroine. It's fitting that BBC Films should be one of the creative forces behind this handsomely mounted big screen adaptation.
Testament Of Youth is almost the right film in the right place at the right time, coinciding with centenary commemorations of the First World War, which included last year's spectacular installation of 888,246 ceramic poppies at the Tower Of London.
James Kent's film is suitably respectful and sombre, and Swedish actress Alicia Vikander is a revelation in her first leading role in an English-language production, capturing the spirit, defiance and brittleness of a young woman who holds firm to her convictions at a time when women were preferably seen but not heard.
Spirited and resourceful Vera (Vikander) is poised to head to Oxford University to study under waspish Miss Lorimer (Miranda Richardson). Her brother Edward (Taron Egerton) and his pals Roland (Kit Harington) and Victor (Colin Morgan) intend to enlist but Vera's parents (Dominic West, Emily Watson) are resistant.
"I know a little more about war than you young lady and it's never short and it's never fast," Mr Brittain tells his daughter sternly when Vera argues her sibling's case. They eventually relent and Vera heads to the dreaming spires of Oxford.
Romance blossoms between Vera and Roland, and Aunt Belle (Joanna Scanlan) acts as a chaperon for the young couple on their dates to ensure their conduct doesn't overstep the bounds of public decency. Against the advice of her parents, Vera postpones her higher education to volunteer as a nurse and treat soldiers, who have been physically and emotionally scarred by their experiences.
Friendships and family ties are strained as Vera and her loved ones search for glimmers of hope amid the devastation.
Testament Of Youth is a visually arresting portrait of those tumultuous years of blood-stained European history and director Kent demonstrates moments of brio. However, for all its physical splendour and Max Richter's elegiac orchestral score, the film doesn't stir the heart, even with Vikander wringing herself emotionally dry as Vera's dearest friends become casualties of the conflict.
At 130 minutes, the ambitious running time sags noticeably in the middle act, but thankfully regains momentum and composure as Vera's cosy existence is steadily reduced to rubble.